utorok 10. júla 2012

Rene Angelil about Movie Omertà

MONTREAL - The biggest talking point surrounding the new Quebec Mafia movie Omertà is the presence of René Angélil in one of the starring roles.
Angélil is, of course, Mr. Céline Dion. He is married to Canada’s most famous songbird, manages Dion’s absurdly successful career, and is a vedette in his own right in Quebec. He is often interviewed on TV, graces the covers of the local entertainment magazines and was even a mentor in the last two seasons of the ultra-popular TV singing contest Star Académie.

In short, it was a big deal for producer Denise Robert and writer-director Luc Dionne to snare Angélil for the role of Mob boss Dominic Fagazi in their adaptation of the gritty cops-and-mobsters series that ran on Radio-Canada between 1996 and 1999. The film, which opens across the province Wednesday, also stars Michel Côté (who was the main man in the TV series), Patrick Huard, Rachelle Lefevre and Stéphane Rousseau.

Côté reprises his role as Pierre Gauthier – the police officer, not the much-maligned former Habs general manager – who has left the Sûreté du Québec to head up a private security agency. But he’s pulled back into the cop biz to investigate the goings-on within the Montreal Mafia. Rousseau plays a psycho criminal who got out of jail early and is part of a complex plan to produce a large shipment of phony gold bars.
While the movie features a star-studded cast, it’s the hiring of Angélil that has generated the most buzz. The impresario’s role in Omertà has also sparked some debate about whether it’s really such a good idea to have a well-known entertainment personality who’s not an actor playing a major part in a film.

Writer-director Dionne, a tough-talking guy at the best of times, was a little peeved when I asked him about this debate. I told him that the argument from the critics of the movie – notably La Presse film columnist Marc-André Lussier – is that you can’t ever get over the notion that you’re watching René Angélil rather than a character in the movie.

“Can you get over the fact that it’s Tom Cruise?” asked Dionne, who wrote the Omertà TV series. “Can you get over the fact that it’s Robert De Niro? I’m going to get criticism about everything. That’s part of my job. That’s part of the business. But I don’t write movies for these (critics). I write movies first of all for myself. I write stories that I would like to see. I hope people are going to say something else about the movie (other than the fact it stars Angélil).

“There’s something that you cannot play in a movie, and that’s power. Power – either you have it or you don’t. You can’t force people to respect you. You either have it or you don’t. And that’s what René is all about.”

Hiring Angélil was producer Robert’s idea. When she suggested it to Dionne, his first thought was that Angélil would never accept the gig. He knew Angélil: They’re both poker players and have played in the same tournaments, and Dionne has golfed at the Angélil-owned course Le Mirage in Terrebonne.

So the director and producer headed down to Florida to try to convince Angélil, and found a surprise ally in Céline Dion.
“What happened was that they convinced Céline first,” said Angélil. “They said, ‘He’s perfect for the role. We need someone who can command respect. Not talk a lot.’ When I came in, I had the three of them telling me it would be a good thing. Then Céline gave me the punchline when she said: ‘You know, you’ve done a lot of things in this business. You’ve been a singer, a member of a group (the ’60s yé-yé band Les Baronets), a producer, a director, a manager, and you’re not getting younger. This is probably your last chance to be in a movie. And you’re with great people, so you should do that.’

 If there were scenes where I had to be violent and kill people, then it would be another story. But as you saw, he’s sort of a nice Godfather. There’s violence in the movie, but not from me. I have other people doing the violence.”- Rene Angelil
 
 Omertà opens in Quebec theatres on Wednesday July 11, 2012.

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